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St Alvčre in the Périgord :
the first truffle market
in France to have gone
on-line !
 


« Zoo Story » by Edward Albee author of « American Dream » and
« Who’s Afraid of Virginia Woolf ? »


Adapted
by Mattieu Galey

Directed by Gérard Guillemin

With : Sébastien Boudrot & Jean-Baptiste Lableigne
Sculpture by Sari Breitburd : during each performance, a work of art will be created directly in the theatre and offered for sale afterwards.


The show was first produced in Paris by Laurent Terzieff and Michel Lonsdale.
« Zoo Story » is a derisory indictment of a modern society based on false values and a condemnation of the resulting complacency, hypocrisy and mediocrity.
The character of Peter represents conformity. Everywhere, everyone is trying to get hold of « whatever they want » through cruelty, underhandedness or crime.
Stupidity and pusillanimity rule this small world dominated by inhibition and repression.
Only the very few, the privileged, have the courage to look their demons in the eye and fight back with the violence of despair ; but they are beaten from the start and Jerry chooses suicide as a form of radical submission.
Edward Albee, when accused of being nihilistic, defeatist and immoral replies quite simply that his plays portray the world as he himself sees it.

Albee tells an exemplary tale of hara-kiri and ritual crime in compact, powerful language. The play makes us share in the hero’s distress and, like him, see no alternative to desperate suffering. Over and above the particular clinical case and the New York hubbub, the audience experiences the futility of each individually or socially perpetrated bastardised act flung at the feet of those rooted in society with no motive or power other than to shame. Jerry’s shocking transition from cumbersomely polite wild boy to intimidation and mad rage is taken out on Peter, the self-satisfied bourgeois who harbours the fear and embarrassment of those born with everything, giving the Beatnik’s suicide goodness knows what note of Slavonic despair.

The director, Gérard Guillemin, uses the play to cast a critical eye over today’s America.

 


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